Like villains in 70s cop dramas…an actor like Richard Lynch greatly appealed to him…a graduate of the actors studio, Lynch became known for portraying villains in film and television…his distinct scarred appearance made him a popular foe. How that appearance greatly appealed to D. Lynch had been fucked up LSD and set himself up on fire burning seventy percent of his body. He had to spend a year in year recovery. It was then he go religion and went to the Actor Studio and HB Studio. He was the foe of the Seven-Ups, a squad of plainclothes officers who use dirty, unorthodox tactics to snare criminals.

D. Liked director/producer Phillip D’Antoni who was responsible fort the memorable car chase sequences in Bullitt, French Connection and the Seven-Ups…

 “no consumers have been hit by this,” Zack reassured the listeners…

He didn’t want to create a panic. If attack was imminent, it would send the populace into a frenzy resulting in chaos and pandemonium which was the last thing he wanted. No, he wanted to instill a lingering fear. One that could be manipulated over years, possibly decades. Now that the Arab terrorist threat had subsided, a new enemy was needed.  Zack hoped that fear could be created by cyber terrorists. A group completely undefined…absent of ideology…nation status…physical identity…the perfect enemy…it could be summoned out of the wind…an ever present enemy yet never present…a foe completely of the imagination…

-frequency-

He chose the song because of its strong identity with the moon. The group like clumsiness of the lyric irked him a bit but the strong identification of the group with a secret piece of land and their strong bond with greatly appealed to him…